Actor Paul Wilson talks with Sean McCord about how his participation in Big Stone Gap helped him and his brother Patrick Wilson reconnect with a Southwest Virginia ancestor. Big Stone Gap screens tonight at the Paramount Theater.

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Actor Paul Wilson talks with Sean McCord about how his participation in Big Stone Gap helped him and his brother Patrick Wilson reconnect with a Southwest Virginia ancestor. Big Stone Gap screens tonight at the Paramount Theater.

At the 2013 Virginia Film Festival, podcaster Sean McCord spoke with Sean Gaston, director of Misa’s Fugue, a look at the tragic youth and artistic life of Holocaust survivor Frank (Misa) Grunwald, and how his story interweaves with the teenage artists who helped commit his story to film.
On the second day of the 2013 Virginia Film Festival, podcaster Sean McCord spoke with director Christopher Englese about Political Bodies, his documentary look at the laws that emerged from the 2012 Virginia legislative session that attempted to control reproductive choices and the response of the women who were literally willing to lay their bodies on the line to protect those rights.
Political Bodies screens on Saturday,November 9 at 1:00PM in the Regal 2 Downtown Mall.
On the second day of the Virginia Film Festival, podcaster Sean McCord talked with Brian Wimer and Billy Hunt, both directors of CLAW, a look at the Collective of Lady Arm Wrestlers. CLAW the collective started in Charlottesville five or six years ago, and has now spread to other cities and nations. With its bustiers and burqas, is CLAW the fourth wave of feminism or the latest form of burlesque? Brian and Billy discuss the short history of CLAW, their approach as filmmakers, and Brian’s turn as a gay werewolf in Faux Paws.
On day two of the Virginia Film Festival, podcaster Sean McCord talks with Robert Griffith, a Virginia-based independent documentary filmmaker. His film Seasons with Brian and Julia documents a full year in the life of a Virginia farm and family. Griffith paints an intimate portrait of Brian and Julia Anderson of Mathews, VA. as the physical demands and endless planning over a year shines a light on the nationwide sustainable farming movement. Director Griffith has been bringing films to Charlottesville the since the first year of the Virginia Film Festival. More information about this and other of his films can be found on his website .
On February 16, 2012, seven members of the WriterHouse SFF group shared short stories or short selections of longer pieces. The readers were Louise Ball, Bonnie Redding, Jessica Glendinning, Josh Pritchett, John Tansey, Beth Stombock, and Sophia Volpi.
Filmmaker Gordon Quinn talks with Sean McCord about the history of Kartemquin Films, the Chicago-based documentary company that has made films such as Hoop Dreams. Several pieces from Kartemquin’s history are being shown at the Virginia Film Festival, including The Interrupters.
Actor and writer Broocks Willich is covering the Virginia Film Festival for Virginia Living, but she is also participating this year as a member of the film industry. She wrote and appeared in the film D.I.G.I.T.A.L. High, which screened on Friday as part of the narrative shorts program. Willich speaks with Sean McCord about why she chose to base her career in Charlottesville and what she hopes to bring to next year’s festival.
Filmmaker Derek Young talks with Sean McCord about Midnight Matinee Psycho, which screens tonight at 11:45 pm at the Regal Downtown. Here’s the write-up from the Film Festival site.
There’s a psycho on the loose. People are dying at midnight movie screenings, apparent victims of a serial killer. Detective Holt and Metro Police have no leads – chaos and paranoia ensue. Clyde Stevens, an aspiring filmmaker, marries the beautiful Sara Young. Clyde’s son senses something is not right with his new stepmother and turns to his friend Charlie for help ridding his dad of her. Featuring cameos from Lloyd Kaufman of Troma Entertainment, Paul (Madman Marz) Ehlers, Victor Miller, Ari Lehman, Eric Morse, Michelle Shields, P.J. Soles, Sal Lizard, Mike Holman, and other horror cult favorites.
Director Nathan Clarke talks with Sean McCord about Wrestling For Jesus, a documentary that screens at 1:45 pm on Saturday at the Virginia Film Festival. Here’s the write-up from the festival.
“In rural South Carolina, Timothy Blackmon felt a calling to fill a spiritual void in himself and share it with his fellow man. His chosen method was an amateur Christian wrestling league. In the ring, Blackmon transforms into the villainous “T-Money” as he dukes it out with Christians who choose to worship through sport. While a boisterous spectacle on stage, behind closed doors, Blackmon grapples with a crumbling marriage and the suicide of his father – the man who told him to never stop wrestling. Without ever judging its subject, the film explores one man’s dichotomous spiritual struggle.”